Gathering Storm, Istanbul; © Ian Poole, 2015.
Rue du Temple, Paris; © Ian Poole, 2015
Paris; © Ian Poole, 2015.
Kerbside Collection – One Way; © Ian Poole, Brisbane, 2011.
Kawarau Trees; © Ian Poole, 2014.
Metropolitan Gallery; © Ian Poole, 2014.
White Island, NZ; © Ian Poole, Brisbane, 2013.
Under the Yamanote Line, Tokyo; © Ian Poole, Brisbane, 2012.
Japanese Silence; © Ian Poole.
Central Otago Reflection; © Ian Poole.
Corrugated Iron; © Ian Poole, Brisbane, 2009.
Squall; © Ian Poole, 2012.
Lindis Pass; © Ian Poole, 2010
Osaka Confusion; © Ian Poole, 2011.
Philosophers Walk, Kyoto; © Ian Poole, 2012.
The Wall Close to Home; © Ian Poole, 2009.
Road to Skippers; © Ian Poole, 2014;
Gathering Squall; © Ian Poole.
Shephard’s Hut, Central Otago; © Ian Poole.
Spring Hill Tree Root; © Ian Poole, Brisbane.
Adam+Storm; © Ian Poole.
Gary+Net; © Ian Poole.
Skeletons; © Ian Poole,
Tokyo Suburbia; © Ian Poole.
Big Budda; © Ian Poole.
Ian, I got to your site by accident! I must say I really like 2 images: the beautiful peaceful sense of space and mystery in the corrugated iron image. But the red car coming through the underpass seems to break conventions on a structural level for me. I like the pos/neg chequerboard pattern in the bridge abutment played against the red (interesting because we have a colour balancing against a pattern instead of another colour or density) and how the yellow line just touches the left of the frame creating a competing tension point – for me its a beautiful – and successful – example of design experimentation.
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Love the Kyoto shot, one of my favourite places on earth, be back there in December
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Love the corrugated Iron roof. You might make it as a tographer yet.
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Thanks John, emptiness is an interesting concept; but it is nice if I can include a mention of human intervention in the landscape.
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Love the emptiness of your landscape shots.
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